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Cyprus is participating in the 60th International Exhibition of Contemporary Art – Venice Art Biennale, which will be open to the public from April 20th to November 24th, 2024, under the artistic direction of curator and art historian Adriano Pedrosa.
The proposal from the team is titled “On a wildflower-lined gravel track off a quiet thoroughfare…”
The Cypriot delegation is already in Italy. The inauguration of the Cypriot Pavilion will take place on Thursday, April 18th, at 10:30 am, in the presence of Deputy Minister of Culture Vasiliki Cassianidou.
The Pavilion will be hosted at Associazione Culturale Spiazzi, Castello 3865, (Venezia 30124). Preview: April 17th – 19th. Inauguration: April 18th, 2024, 10:30 am – 12:30 pm. Opening hours: Tuesday – Sunday 11 am – 7 pm, from April 20th to September 30th, 10 am – 6 pm from October 1st to November 24th. cyprusinvenice.org.cy
Cyprus Pavilion at the Venice Biennale
“On a wildflower-lined gravel track off a quiet thoroughfare…
…a parked black van scans its surroundings for personal devices to send out a thumbnail from the account of a recently deceased person. Captioned 'OMG! Have you seen this?!', it reaches three unsuspecting acquaintances. In disbelief, the first recipient takes the bait and clicks the link. The second fails to see the notification as it drowns in a sea of information debris. The third—no longer friends with the 'sender' and unaware of their passing—sees the message and opts not to answer, effectively ghosting them. […]
So our ghost story goes, and so it echoes: On which side of the screen lies the ghost?”
From this seemingly benign anecdote and through layers of parafictional schemes, Lower Levant Company (Peter Eramian, Emiddio Vasquez), Endrosia Collective(Andreas Andronikou, Marina Ashioti, Niki Charalambous, Doris Mari Demetriadou, Irini Khenkin, Rafaelia Tsiridou, Alexandros Xenophontos) and Haig Aivazian sidestep the superstitious provenance of ghosts to speculate on present sociotechnical and material forms of “ghosting .”
As agitators of social memory, ghosts insist on unresolved grievances, rewriting them until retribution. It is through this confluence of haunting and historical memory that the pavilion focuses on Cyprus' vicinity in the Middle East, itself a factory of revenants, to re-examine the island's orientation vis-à-vis the Levant. Across four interconnected spaces, the exhibition conjures a portal into the histories, narratives and myths that linger within new modes of communication, computational logics and platform economies, all of which produce their own spectres. Beyond incurring the hauntings of such a world, the project proposes ghosting as a paradoxical act of withdrawal andpersistence. This form of vigilance requires an adjustment of attention? a recalibration of the senses? a commitment not only to staying with the problem of ghosts, but to drawing alliances with them and, entrusted with their agitation, dismantling and building worlds anew.
The exhibition title takes its cue from the opening sentence of a 2019 Forbes article that exposes a covert spyware operation run out of a black van, parked along an inconspicuous gravel track in the coastal city of Larnaca. With this entry point into the histories of transmission and interference that render the island a 'quiet thoroughfare' for clandestine operations and intelligence interception on a global scale, the pavilion assumes the parafictional front of an agency named Forever Informed , both as physical address and as virtual presence.
The works on show are a direct outcome of collaborative research, group excursions, and a collective approach to curation. Accompanying the exhibition, a publication co-published with Archive Books brings together a collection of historical, fictional and analytical writings authored by the artists, each text appearing in English, Cypriot Greek, Cypriot Turkish and Arabic.
Alongside sculptural, audiovisual and spatial interventions, a vigil workspace is integrated within the exhibition, reconfiguring the labor of invigilation — a seemingly passive art world gig — into an active motor of the project. Invited researchers along with the exhibiting artists, are prompted to hold a space of remembrance, reflecting on bodily presence, rituals of vigil and the politics of remaining vigilant today. To that end, the first researcher will join as part of the Border Violence Monitoring Network to investigate the use of surveillance technologies on the Cyprus-Lebanon borderscape.
Curators/exhibitors:FOREVER INFORMED: LLC (Peter Eramian, Emiddio Vasquez), Endrosia (Andreas Andronikou, Marina Ashioti, Niki Charalambous, Doris Mari Demetriadou, Irini Khenkin, Rafaelia Tsiridou, Alexandros Xenophontos), Haig Aivazian
Commissioner : Louli Michaelidou; Production Manager: Charles Gohy; Project Manager: Ioulita Toumazi ; Project Coordinator: Marco Scurati; Graphic Design: Miquel Hervás Gómez, Doris Mari Demetriadou, Andreas Andronikou
< strong>Organiser: Cyprus Deputy Ministry of Culture – Department of Contemporary Culture
Supporters: psi foundation, Pylon Art & Culture, the Kerenidis Pepe Collection
Opening hours
Tuesday–Sunday, 11am–7pm (April 20–September 30) ; 10am–6pm (October 1–November 24)
(Photo: Prompt #1: Image (sourced from “Multimillionaire Spyware Dealer and His $9 Million WhatsApp Hacking Van”, Forbes, 2019) run through Stable Diffusion AI. Courtesy of Forever Informed, 2024.)
